For the past couple of years or so I’ve been using the services of a great business leads site called Thumbtack. I’ve actually made a couple of long-term clients through the service, so its not a so-so business service site. I just wanted to pass this on to any business owner struggling with finding new clientele. You are able to appear easier in search engines, acquire a high-quality portfolio display, have customer reviews easily reviewed and much more. The best aspect is that potential jobs are emailed right to you every day and you have a chance to outbid and snatch a job. You have to pay for the lead, but if the potential client doesn’t view your bid you are refunded your lead money. So, not bad overall.
Here is my Thumbtack profile to give you an idea of what its all about.
Came across this little video today that explains a technique for seeing things that we normally cannot see. Sound being one of many of these things. They explain the technique for being able to do this and it appears that this is something most would be able to accomplish if they want to conduct their own studies or if they’re just plain curious.
But, it’s a short video and worth the watch. Very interesting.
Today I came across a fascinating little video from someone on Youtube. Apparently, the individual is playing a lyre, which was most likely what the song was written on. However, this is a little peek into what all the cool kids were listening to back in the day. First, here is a a little background on the Song of Seikilos.
The song of Seikilos is one of the few preserved compositions of ancient Greek music. It is engraved into a grave pillar that was found 1883in Aydin in Turkey and is dated between 200 BC and 100 AD.
On the tombstone is an indication that the music composition and poem were composed and written by one Seikilos, for his wife, whopresumably is buried there. The opening epitaph states:
I am a portrait in stone. I was put here by Seikilos, where I remain forever, the symbol of timeless remembrance.
The find has been dated variously from around 200 BC to around AD 100.While older western music with notation exists (for example the Delphic Hymns), all of it is in fragments; the Seikilos epitaph is unique in that it is a complete, though short, composition.
Here is the poster’s excerpt on the Song of Seikilos.
This video features my arrangement for solo lyre, of "The Song of Seikilos"- unique in musical history, as it is the only piece of music from antiquity in the entire Western world, that has SO far been found, which has survived in its COMPLETE form, and unlike much earlier surviving fragments of melodies that have been found, this song is written in a totally unambiguous ALPHABETICAL musical notation, which can be played, note for note, as it was written...2000 YEARS AGO!This melody is an amazing musical legacy from ancient Greece; a precious remnant of a long-forgotten musical culture now forever lost in the mists of time...In this version, I have tried to utilize EVERY conceivable lyre-playing technique I could think of, which may have also been used in Antiquity! This is also a far more lively rendition - I have recently learnt that "The Song of Sekilos" is, in fact a DRINKING SONG!(What a GREAT idea of the ancient Greeks to put a drinking song on a TOMBSTONE - I want one to be on MINE!!).Although much older music has been found (& which I have had a go at recreating on some of my other Youtube uploads), all that remains are either just pitiful fragments of the melodies, or the way the melodies have been notated in ancient times have SO many modern interpretations that the actual melody is still mostly academic guess work.About 2000 years after it was written, this melody was rediscovered in 1883, in its complete & original form. It was found inscribed in marble on an ancient Greek burial stele, bearing the following epitaph: "I am a portrait in stone. I was put here by Seikilos, where I remain forever, the symbol of timeless remembrance".The words of the song are:"Hoson zes, phainou Meden holos su lupou; Pros oligon esti to zen To telos ho chronos apaitei" (While you live, shine Don't suffer anything at all; Life exists only a short while And time demands its toll)
Came across this little video via Bobby Owsinksi’s blog. For many, many years I was coiling my cables the wrong way and suffering for it every time I went to uncoil them and use them. You see, if done properly you can uncoil your cables and have no tangles, snags, etc. This is not only efficient when going to mic up a cabinet or whatever, it also removes frustration, or as I call it.. the cable woes.
Me and cables have an ongoing feud and always have. I hate cables. Almost as much as I hate paper (I’m a digital guy). Their both messy and and cause tons of frustration and chaos at points. But, this little knowledge of how to coil a cable, helps reduce the headache and is one more weapon to use against my nemesis, the cable.
I recently took the plunge and bought IK Multimedia’s ARC 2 System for my project studio. What exactly is this, you ask? Well, allow me to explain.
ARC stands for Advanced Room Correction and a while back I wrote a post where I touched a bit on it while discussing room treatment for my home studio. At the time of writing that post I even reached out to mixing guru, Bobby Owsinksi, regarding his thoughts on the product. He wasn’t too much a fan, but for good reason. I agree with his comment in that one should use acoustic treatment first and foremost and attempt to correct any room issues that way before splurging on some digital gizmo to do it for you. So, I did just that. I added some acoustic treatment first and foremost and it knocked out a large portion of my frequency issues. Hooray! However, my budget and expertise in room treatment is limited and lo and behold, there was still some nagging frequencies roaming my room. Like most home studios, my room is not perfect and it would take some major time, money and know-how to knock out the remaining frequency issues via acoustic treatment. Enter ARC 2, to polish it all off. The theory is this gizmo will tell me where my room acoustics are now that the treatment is in place and correct the remaining issues for me.
So, how does it work? Essentially, you set up the accompanying omni-directional microphone and it picks up the sequential “chirps” that the ARC software spits out of your speakers and uses this to measure your room acoustics. After each set of “chirps” you move the microphone around the listening spot you are attempting to measure. Once all of those measurements are done, ARC then analyzes the data and gives you a measurement reading of your room acoustics. You’ll see this measurement reading once you open your DAW and instantiate the ARC plugin at the end of your mixing chain.
You want to instantiate the correction at the end of the mix on your Master Channel, as I’ve done here, and be sure to remove it once you are ready to render your mix to mp3 or the like.
The process of using ARC 2 can seem a bit convoluted, but its actually very, very simple and quick to do. Here are a series of videos that do a better job of explaining the process and the product than I could ever do.
The idea is that ARC EQ’s your mix to eliminate the troubling frequencies that essentially hinder your listening space when mixing. So, if you have a huge bass buildup around 300Hz, it will EQ that out in an attempt to make a flat EQ response coming out of your monitors (ideal for mixing). That buildup at 300Hz is the bass bouncing around your room and back to your ears, not the actual mix. If you take that mix and listen through headphones you’ll not hear that bass buildup. So theoretically, by using ARC 2 you won’t be upping the levels of your higher frequencies in order to compete with the lower frequencies that aren’t really present in your mix in the first place. Thus, helping you achieve a better mix more efficiently.
At any rate, I did the measurements the other night and I must say that once I put this plugin on my mix there was a definite audible difference. In fact, I liked it because upon bypassing it I could hear all the bass buildup that it was removing. This can be seen in the photo below.
My room frequency is the orange line. The white line is the correction by ARC. Notice the buildup of bass between 50Hz – 300Hz. Also, notice how unstable my room acoustics are. Ideally you don’t want ARC working that hard to give you a flat response. I really need to eliminate as much of that instability as possible to bring it closer to a flat EQ response before adding ARC.
I don’t think my home studio is too far off from your average home studio in regards to the EQ measurement I received: plenty of low end. Ideally, one would want to just add the treatment needed to fix the issues and not mess with any fancy plugins in your DAW. In this ideal scenario, you would just use ARC 2 as a measurement tool only, not a correction tool. But, as I’ve stated earlier, this ideal scenario is beyond most home studio budgets and know-how, which makes the combo of room treatment and ARC 2 a great alternative. I’m pleased with the results so far. ARC 2 does what it says and its actually well-priced. You can pick one up here.